Predicting the future is dangerous,
especially when a world-be prophet puts her thoughts in writing.
But that's what author Phyllis Tickle did two decades ago when she wrote:
"Books are about to become the portable pastors of America." That turned
out to be true. Now, in light of "The Matrix," she is updating that
prophecy about how Americans talk about faith.
It helps to flashback to a statistical earthquake that rattled the book
business.
In 1992 the company that dominates sales to libraries saw a stunning 92
percent rise in its religious trade. Then in 1994 religious sales by the
giant Ingram Book Group soared 246 percent. In a few years this niche grew
500 percent, said Tickle, who has covered this trend for Publishers Weekly
and in several of her two-dozen books.
The growth "was malignant," she said. "Bookstore owners kept telling me
people would vanish into that back corner where the religious shelves were
and stay for hours. When they did that, you just knew they should have
been going to see their pastors. But they weren't doing that."
These seekers didn't buy into doctrines and denominations. They didn't
want "theology." They wanted new ideas, images and spiritual stories. They
wanted what Tickle began calling "God-talk" and millions started finding
it with the help of cappuccino and Oprah.
And in 1999 everything changed again.
"When 'The Matrix' came out, it became the best treatise on God-talk that
has ever been made," said Tickle. "It could not have been done with a
book. It could not have been done with words. ... The primacy of place in
creative, cutting-edge God-talk has shifted from non-fiction in the 1980s
to fiction in the 1990s and now it is shifting again to the world of the
visual, especially to the kinds of myths and stories we see in movies such
as 'The Matrix.' We're talking about the manipulation of theological
fantasies and this is a natural fit for visual media."
"Theology," she said, is found in the world of doctrine, history, academic
credentials and ecclesiastical authority. But "God-talk" thrives far from
most pulpits. Its standards are flexible, evolving, user-defined and
rooted in small communities. This is a true "democratization of theology,"
she said, and can been seen as an extension of Protestantism's division
into thousands and thousands of independent denominations, movements and
churches.
But God-talk leaders are more likely to work in popular media than in
religious institutions. As creators of "The Matrix" trilogy, Andy and
Larry Wachowski are touching millions of lives. The first film grossed
$460 million worldwide and shaped countless movies, computer games, music
videos and commercials. Now, "The Matrix Reloaded" -- on a record 8,517
screens -- topped $130 million at the box office in its first four days.
"The Matrix Revolutions" hits in November.
Writing in the Journal of Religion and Film, James L. Ford of Wake Forest
University argues that these films offer a powerful fusion of themes from
Buddhism, clashing brands of Christianity, Greek mythology, cyber-culture
and legions of other sources.
"It is impossible to know what narratives will become the foundation myths
of our culture," noted Ford, in his "Buddhism, Christianity and The
Matrix" essay. "But epic films like The Matrix are the modern-day
equivalent of The Iliad-Odyssey ... or various biblical myths. Indeed, one
might well argue that popular films like 'The Matrix' and 'Star Wars'
carry more influence among young adults than the traditional religious
myths of our culture."
Tickle can trace this trend for decades, from the generic God of
Alcoholics Anonymous to the nearly generic God of "Touched By An Angel,"
from the rise of the self-help publishing industry to waves of immigration
that brought the mysteries of Eastern religion to Hollywood.
Mainstream religious leaders can argue about the ultimate meaning of all
this, she said. But they cannot ignore it.
"The Matrix" has "posited a new theological framework," she said. "Now we
have to find out the details. What is the primal cause for this world?
Where is God? Who is God? Does what is going on in these films support or
oppose a basic Judeo-Christian approach to morality? We don't know the
answers to these questions yet"
Copyright © 2003. Used by permission. All columns are the sole property of the author.